The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 23
... seems to originate in an acute understanding of one aspect of language . death , as men call him , ends what they call men —but beauty is more now than dying's when from poem LII of " one times one " is an excellent example of one ...
... seems to originate in an acute understanding of one aspect of language . death , as men call him , ends what they call men —but beauty is more now than dying's when from poem LII of " one times one " is an excellent example of one ...
Side 24
... seems to be the object : on an apparent contradiction the poet lays a new ( though sometimes a trite ) meaning ... seem that for Cummings words , and the immediate surface reactions they evoke , are such . This is a fine point , and the ...
... seems to be the object : on an apparent contradiction the poet lays a new ( though sometimes a trite ) meaning ... seem that for Cummings words , and the immediate surface reactions they evoke , are such . This is a fine point , and the ...
Side 35
... seems somehow more important than what has been . I think it is very interesting to compare the themes of the various plays which have been selected this season . The Drama School has dealt with the war in Italy ( Companions ) , the Com ...
... seems somehow more important than what has been . I think it is very interesting to compare the themes of the various plays which have been selected this season . The Drama School has dealt with the war in Italy ( Companions ) , the Com ...
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artistic film asked aspect of Cummings attitude beautiful bowling Brother Gabriel Burton Calvin Thomas childish clouds Collected Poems color dark door Dory Dramat dream duenna E. E. Cummings Effie emotion eyes feeling felt Fox Hunt hand heard here's a little Hollywood Huguenot John Everett Millais John Freeman John Rawlings John Ruskin knew laughed Lennie Lennie's light little mouse looked madman Martha Marty meaning Medlar mild Millais mind Mireille Mireille's Miss Treadway mother mountain never night Oddie Oscar painted Pete Peterkin picture play poet POETRY OF E. E. porch Ramba recorded Richard Rothfuss Ronald Paulson Royal Academy Runaway Ruskin seems silence sleep smile softly stimulus stood style talk technique tell TERENCE HEYWOOD theatre things thought tion told twins uncon voice W. S. Hillman Walberton walking William wondered words Yale Literary Magazine