The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 23
... poet of the first type is necessarily unsatisfactory and superficial . Yet Cummings is very often just such a poet , and in a manner which is neither . Prob- ably the most significant single element in Cum- mings ' technique is his ...
... poet of the first type is necessarily unsatisfactory and superficial . Yet Cummings is very often just such a poet , and in a manner which is neither . Prob- ably the most significant single element in Cum- mings ' technique is his ...
Side 24
... poet's peculiar word- technique . It is undoubtedly this sort of writing which has earned Cummings the adjective " meta- physical " . But whereas the metaphysicals , at least in Eliot's analysis , are poets to whom thoughts are events ...
... poet's peculiar word- technique . It is undoubtedly this sort of writing which has earned Cummings the adjective " meta- physical " . But whereas the metaphysicals , at least in Eliot's analysis , are poets to whom thoughts are events ...
Side 29
... poet since Yeats to write successfully in both traditional and " mod- ern " styles . Most of the other poets of his rank , such as Frost or Ransom , not to mention the greater Eliot and Stevens have confined them- selves to one ...
... poet since Yeats to write successfully in both traditional and " mod- ern " styles . Most of the other poets of his rank , such as Frost or Ransom , not to mention the greater Eliot and Stevens have confined them- selves to one ...
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artistic film asked aspect of Cummings attitude beautiful bowling Brother Gabriel Burton Calvin Thomas childish clouds Collected Poems color dark door Dory Dramat dream duenna E. E. Cummings Effie emotion eyes feeling felt Fox Hunt hand heard here's a little Hollywood Huguenot John Everett Millais John Freeman John Rawlings John Ruskin knew laughed Lennie Lennie's light little mouse looked madman Martha Marty meaning Medlar mild Millais mind Mireille Mireille's Miss Treadway mother mountain never night Oddie Oscar painted Pete Peterkin picture play poet POETRY OF E. E. porch Ramba recorded Richard Rothfuss Ronald Paulson Royal Academy Runaway Ruskin seems silence sleep smile softly stimulus stood style talk technique tell TERENCE HEYWOOD theatre things thought tion told twins uncon voice W. S. Hillman Walberton walking William wondered words Yale Literary Magazine