The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 25
... poems , however , he scatters his words across the page as in the two examples quoted , in an attempt to reinforce the meaning of the words themselves by their arrangement and a free use of punctuation marks . This free use of punctu ...
... poems , however , he scatters his words across the page as in the two examples quoted , in an attempt to reinforce the meaning of the words themselves by their arrangement and a free use of punctuation marks . This free use of punctu ...
Side 26
... poem . Any poet using such methods must necessarily be careful in order to keep his poems from ap- pearing ridiculous . Cummings often seems to ig- nore this , and only a few of his poems in this extreme style can be considered ...
... poem . Any poet using such methods must necessarily be careful in order to keep his poems from ap- pearing ridiculous . Cummings often seems to ig- nore this , and only a few of his poems in this extreme style can be considered ...
Side 29
... poems dealing specifically with sexual inter- course is amazing . Lines with the cold sensuality of my girl's tall and taut , with thin legs just like a vine that's spent all of its life on a garden - wall , and is going to die . When ...
... poems dealing specifically with sexual inter- course is amazing . Lines with the cold sensuality of my girl's tall and taut , with thin legs just like a vine that's spent all of its life on a garden - wall , and is going to die . When ...
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artistic film asked aspect of Cummings attitude beautiful bowling Brother Gabriel Burton Calvin Thomas childish clouds Collected Poems color dark door Dory Dramat dream duenna E. E. Cummings Effie emotion eyes feeling felt Fox Hunt hand heard here's a little Hollywood Huguenot John Everett Millais John Freeman John Rawlings John Ruskin knew laughed Lennie Lennie's light little mouse looked madman Martha Marty meaning Medlar mild Millais mind Mireille Mireille's Miss Treadway mother mountain never night Oddie Oscar painted Pete Peterkin picture play poet POETRY OF E. E. porch Ramba recorded Richard Rothfuss Ronald Paulson Royal Academy Runaway Ruskin seems silence sleep smile softly stimulus stood style talk technique tell TERENCE HEYWOOD theatre things thought tion told twins uncon voice W. S. Hillman Walberton walking William wondered words Yale Literary Magazine