The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 25
... important , it is hardly the same poem , for the sense of genuine surprise and the descriptive accuracy are no longer present . I shall not try to analyze the reasons for this in detail , but will merely consider some typical points ...
... important , it is hardly the same poem , for the sense of genuine surprise and the descriptive accuracy are no longer present . I shall not try to analyze the reasons for this in detail , but will merely consider some typical points ...
Side 29
... important pair . But there is fundamentally little idealization about Cummings ' view of nature ; he glories in it , but does not link it exclusively to " higher " things . He is often thoroughly animalistic - the number of poems ...
... important pair . But there is fundamentally little idealization about Cummings ' view of nature ; he glories in it , but does not link it exclusively to " higher " things . He is often thoroughly animalistic - the number of poems ...
Side 35
... important than what has been . I think it is very interesting to compare the themes of the various plays which have been selected this season . The Drama School has dealt with the war in Italy ( Companions ) , the Com- munists in ...
... important than what has been . I think it is very interesting to compare the themes of the various plays which have been selected this season . The Drama School has dealt with the war in Italy ( Companions ) , the Com- munists in ...
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artistic film asked aspect of Cummings attitude beautiful bowling Brother Gabriel Burton Calvin Thomas childish clouds Collected Poems color dark door Dory Dramat dream duenna E. E. Cummings Effie emotion eyes feeling felt Fox Hunt hand heard here's a little Hollywood Huguenot John Everett Millais John Freeman John Rawlings John Ruskin knew laughed Lennie Lennie's light little mouse looked madman Martha Marty meaning Medlar mild Millais mind Mireille Mireille's Miss Treadway mother mountain never night Oddie Oscar painted Pete Peterkin picture play poet POETRY OF E. E. porch Ramba recorded Richard Rothfuss Ronald Paulson Royal Academy Runaway Ruskin seems silence sleep smile softly stimulus stood style talk technique tell TERENCE HEYWOOD theatre things thought tion told twins uncon voice W. S. Hillman Walberton walking William wondered words Yale Literary Magazine