The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 17
... completely for- got how old he was . How annoying they all have to grow up . How really annoying ! The twins were an ideal age . A completely dependent eight years . Of course , they had their problems too , hun- dreds , it seemed , but ...
... completely for- got how old he was . How annoying they all have to grow up . How really annoying ! The twins were an ideal age . A completely dependent eight years . Of course , they had their problems too , hun- dreds , it seemed , but ...
Side 25
... completely traditional , and his punctuation , except for capitals , may be so too . In many poems , however , he scatters his words across the page as in the two examples quoted , in an attempt to reinforce the meaning of the words ...
... completely traditional , and his punctuation , except for capitals , may be so too . In many poems , however , he scatters his words across the page as in the two examples quoted , in an attempt to reinforce the meaning of the words ...
Side 26
... completely suc- cessful . But it should be remembered that he is not just trying to be perverse , but rather to use every possible resource in making his work more precise . Occasionally , as in the famous " Buffalo Bill's defunct " , a ...
... completely suc- cessful . But it should be remembered that he is not just trying to be perverse , but rather to use every possible resource in making his work more precise . Occasionally , as in the famous " Buffalo Bill's defunct " , a ...
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artistic asked attitude beautiful better called Camels carried certainly color coming completely concerned Cummings dark descriptive door dream everything examples eyes face feeling felt film finally followed Gabriel girl hand head heard Hillman important interesting It's John kind knew laughed least Lennie less light lines Literary Magazine living looked lost Martha meaning Medlar Millais mind Mireille Miss Treadway mother mountain moved nature never night objective Oddie once painted past Peterkin picture play poems poet poetry present reasons recorded Ruskin seems sense sleep smile standing steps stimulus stood stopped street style success talk tell theatre things thought tion told took tried twins voice walking walls wondered Yale Literary Magazine young