The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 11
... better get out now and she called to the driver to stop . Then she stepped out . Without moving his hulk Mr. Peterkin slapped the old crone across the face cruelly . ' Come , come , " called Mr. Peterkin after Mireille , " we won't harm ...
... better get out now and she called to the driver to stop . Then she stepped out . Without moving his hulk Mr. Peterkin slapped the old crone across the face cruelly . ' Come , come , " called Mr. Peterkin after Mireille , " we won't harm ...
Side 13
... better to drain myself of pleasure , devote my life to a great cause and advance God's domain than to advance myself . I made myself believe that ; and I tried to practice it . " He was quite nervous and now be rubbed the sweaty palms ...
... better to drain myself of pleasure , devote my life to a great cause and advance God's domain than to advance myself . I made myself believe that ; and I tried to practice it . " He was quite nervous and now be rubbed the sweaty palms ...
Side 34
... better than the Dramat , though it must be said that there is a difference between what could not and what would not be done in the commercial theatre . But cer- tainly Faust , at least the way it was done here , could never have been ...
... better than the Dramat , though it must be said that there is a difference between what could not and what would not be done in the commercial theatre . But cer- tainly Faust , at least the way it was done here , could never have been ...
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artistic film asked aspect of Cummings attitude beautiful bowling Brother Gabriel Burton Calvin Thomas childish clouds Collected Poems color dark door Dory Dramat dream duenna E. E. Cummings Effie emotion eyes feeling felt Fox Hunt hand heard here's a little Hollywood Huguenot John Everett Millais John Freeman John Rawlings John Ruskin knew laughed Lennie Lennie's light little mouse looked madman Martha Marty meaning Medlar mild Millais mind Mireille Mireille's Miss Treadway mother mountain never night Oddie Oscar painted Pete Peterkin picture play poet POETRY OF E. E. porch Ramba recorded Richard Rothfuss Ronald Paulson Royal Academy Runaway Ruskin seems silence sleep smile softly stimulus stood style talk technique tell TERENCE HEYWOOD theatre things thought tion told twins uncon voice W. S. Hillman Walberton walking William wondered words Yale Literary Magazine