The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 21
... Ruskin never physically made Effie his wife . He told her that it would be dangerous to have children since he suspected that she might be insane ( Ruskin actually did become insane at the end of his life ) and also that the sight of ...
... Ruskin never physically made Effie his wife . He told her that it would be dangerous to have children since he suspected that she might be insane ( Ruskin actually did become insane at the end of his life ) and also that the sight of ...
Side 22
... Ruskin's attitude toward Millais ' art changed radically . Once its chief de- fender , he now became its chief opponent . Later in his life Millais showed surprising sympathy and understandnig of Ruskin , despite the suffering which he ...
... Ruskin's attitude toward Millais ' art changed radically . Once its chief de- fender , he now became its chief opponent . Later in his life Millais showed surprising sympathy and understandnig of Ruskin , despite the suffering which he ...
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artistic film asked aspect of Cummings attitude beautiful bowling Brother Gabriel Burton Calvin Thomas childish clouds Collected Poems color dark door Dory Dramat dream duenna E. E. Cummings Effie emotion eyes feeling felt Fox Hunt hand heard here's a little Hollywood Huguenot John Everett Millais John Freeman John Rawlings John Ruskin knew laughed Lennie Lennie's light little mouse looked madman Martha Marty meaning Medlar mild Millais mind Mireille Mireille's Miss Treadway mother mountain never night Oddie Oscar painted Pete Peterkin picture play poet POETRY OF E. E. porch Ramba recorded Richard Rothfuss Ronald Paulson Royal Academy Runaway Ruskin seems silence sleep smile softly stimulus stood style talk technique tell TERENCE HEYWOOD theatre things thought tion told twins uncon voice W. S. Hillman Walberton walking William wondered words Yale Literary Magazine