The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 24
... Cummings ' use of words is his treatment of opposites , and use of contradic- tions . By employing such compounds as " un- strength " , " undeath " , and " unshadow " he ex- presses the desired meanings without using the ordinary ...
... Cummings ' use of words is his treatment of opposites , and use of contradic- tions . By employing such compounds as " un- strength " , " undeath " , and " unshadow " he ex- presses the desired meanings without using the ordinary ...
Side 26
... Cummings often seems to ig- nore this , and only a few of his poems in this extreme style can be considered completely suc- cessful . But it should be remembered that he is not just trying to be perverse , but rather to use every ...
... Cummings often seems to ig- nore this , and only a few of his poems in this extreme style can be considered completely suc- cessful . But it should be remembered that he is not just trying to be perverse , but rather to use every ...
Side 29
... Cummings emphatically does not share the confused skepticism and un- certainty of many distinguished modern poets . It is difficult to state exactly anything that can be termed Cummings ' " philosophy " ; there is no question , though ...
... Cummings emphatically does not share the confused skepticism and un- certainty of many distinguished modern poets . It is difficult to state exactly anything that can be termed Cummings ' " philosophy " ; there is no question , though ...
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artistic film asked aspect of Cummings attitude beautiful bowling Brother Gabriel Burton Calvin Thomas childish clouds Collected Poems color dark door Dory Dramat dream duenna E. E. Cummings Effie emotion eyes feeling felt Fox Hunt hand heard here's a little Hollywood Huguenot John Everett Millais John Freeman John Rawlings John Ruskin knew laughed Lennie Lennie's light little mouse looked madman Martha Marty meaning Medlar mild Millais mind Mireille Mireille's Miss Treadway mother mountain never night Oddie Oscar painted Pete Peterkin picture play poet POETRY OF E. E. porch Ramba recorded Richard Rothfuss Ronald Paulson Royal Academy Runaway Ruskin seems silence sleep smile softly stimulus stood style talk technique tell TERENCE HEYWOOD theatre things thought tion told twins uncon voice W. S. Hillman Walberton walking William wondered words Yale Literary Magazine