The works of Richard Hurd, Bind 1T. Cadell & W. Davies, 1811 |
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Side 13
... authority the great- est masters in taste and composition must finally submit . But the more unquestioned the credit of this poem is , the more it will concern the public , that it be justly and accurately understood . The writer of ...
... authority the great- est masters in taste and composition must finally submit . But the more unquestioned the credit of this poem is , the more it will concern the public , that it be justly and accurately understood . The writer of ...
Side 15
... authorities , which were not wanted , and in producing , or , more pro- perly , by their studied refinements in creating , conformities , which were never designed . Whence it hath come to pass , that , instead of investigating the ...
... authorities , which were not wanted , and in producing , or , more pro- perly , by their studied refinements in creating , conformities , which were never designed . Whence it hath come to pass , that , instead of investigating the ...
Side 26
... authority of a great author , who , in his edition of our English Horace , the best that ever was given of any classic , hath now retrieved and established the full credit of it . What was the amusement of his pen , becomes indeed , the ...
... authority of a great author , who , in his edition of our English Horace , the best that ever was given of any classic , hath now retrieved and established the full credit of it . What was the amusement of his pen , becomes indeed , the ...
Side 26
... authority of a great author , who , in his edition of our English Horace , the best that ever was given of any classic , hath now retrieved and established the full credit of it . What was the amusement of his pen , becomes indeed , the ...
... authority of a great author , who , in his edition of our English Horace , the best that ever was given of any classic , hath now retrieved and established the full credit of it . What was the amusement of his pen , becomes indeed , the ...
Side 76
... authority of the poet himself against the opinion of the French critic . But we have also the authority of his great imitator , or rather interpreter , Persius ; who speaking of the language of his satires says , in allusion to this pas ...
... authority of the poet himself against the opinion of the French critic . But we have also the authority of his great imitator , or rather interpreter , Persius ; who speaking of the language of his satires says , in allusion to this pas ...
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absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition critic Dacier dicere drama elegance enim Ennius epistle epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander mind modern moral Multa nature nexion numbers nunc objects observed occasion old comedy orichalco Oscan painting passage passion peculiar Peleus person piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Populære passager
Side 56 - Natura fieret laudabile carmen an arte Quaesitum est : ego nee Studium sine divite vena Nee rude quid possit video ingenium ; alterius sic 410 Altera poscit opem res et conjurat amice.
Side 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Side 31 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Side 33 - Sumite materiam vestris , qui scribitis , aequam Viribus, et versate diu, quid ferre recusent, Quid valeant humeri. Cui lecta potenter erit res , «> Nee facundia deseret hunc, nee lucidus ordo.
Side 51 - Munus et officium, nil scribens ipse, docebo ; Unde parentur opes ; quid alat formetque poetam ; Quid deceat, quid non ; quo virtus, quo ferat error.
Side 34 - Dixeris egregie notum si callida verbum Reddiderit junctura novum. Si forte necesse est Indiciis monstrare recentibus abdita rerum, Fingere cinctutis non exaudita Cethegis 50 Continget, dabiturque licentia sumpta pudenter ; Et nova fictaque nuper habebunt verba fidem si Qraeco fonte cadent, parce detorta.
Side 41 - Trojanum orditur ab ovo ; Semper ad eventum festinat, et in medias res Non secus ac notas auditorem rapit, et, quae Desperat tractata nitescere posse, relinquit, 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Side 35 - Ut silvae foliis pronos mutantur in annos, Prima cadunt ; ita verborum vetus interit aetas, Et juvenum ritu florent modo nata vigentque.
Side 295 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Side 46 - Carmine qui tragico vilem certavit ob hircum, 220 Mox etiam agrestes Satyros nudavit et asper Incolumi gravitate jocum tentavit eo, quod Illecebris erat et grata novitate morandus Spectator functusque sacris et potus et exlex.