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Side 9
... cinema . " Cinema is the trembling of the image . The cinematic representation of Tlatelolco is comprised of these same originary , but now trembling , images and written fragments in which cultural reflection on Tlatelolco establishes ...
... cinema . " Cinema is the trembling of the image . The cinematic representation of Tlatelolco is comprised of these same originary , but now trembling , images and written fragments in which cultural reflection on Tlatelolco establishes ...
Side 29
... Cinema 2 ( 1985 ) , presents a direct , immediate image of time . Though Deleuze makes clear from the very beginning that his project " is not a history of the cinema ” but “ a taxonomy , an attempt at the classification of images and ...
... Cinema 2 ( 1985 ) , presents a direct , immediate image of time . Though Deleuze makes clear from the very beginning that his project " is not a history of the cinema ” but “ a taxonomy , an attempt at the classification of images and ...
Side 51
... Cinema 1 : The Movement Image , trans . Hugh Tomlinson and Barbara Habberjam ( London : Continuum , 2005 ) , xix . 7. Deleuze presents this transition from a cinema of movement to one of time as a process that takes place differently at ...
... Cinema 1 : The Movement Image , trans . Hugh Tomlinson and Barbara Habberjam ( London : Continuum , 2005 ) , xix . 7. Deleuze presents this transition from a cinema of movement to one of time as a process that takes place differently at ...
Indhold
Spinoza Deleuze and Carlos Reygadass | 27 |
Sketches of Contemporary Labor | 55 |
The Tragic Voyage to a Postmodern | 75 |
Copyright | |
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archive become biopolitical Cambridge capital capitalist Carlos Reygadas Castaño cinema concept critique cultural Deleuze Denkens Derrida Dionysus economy essay essence Esther Ethics expression fashionista Feiertage film film's Frankfurt am Main Fredric Jameson free indirect discourse Friedrich-Wilhelm von Herrmann Galician Gesamtausgabe gesture global Heidegger's Herrmann Frankfurt Hölderlin Humanismus Ibid immanent miracle intuition Jameson Johan Jorge Fons Karsten Harries Klostermann labor language Larry David Letter on Humanism libro da egoísta linguistic literary Marianne Martin Heidegger Marx Marxism massacre Metaphysics Mexican Michael Hardt mode of production narration narrative Octavio Paz ontological Ordet original Paolo Virno Pato persona perspective philosophy pizza plaza poem poet political Potemkin quotation reality reenactment relation representation Reygadas Reygadas's Rojo amanecer simultaneously social Spanish Spinoza Sprache Stellet Licht Taibo things thinking time-image tion Tlatelolco Tlatelolco massacre trans translation Tres Culturas turn University Press viewer Vismann's visual Wesen words writes Yolanda Castaño