The Mystical Design of Paradise LostBucknell University Press, 1975 - 194 sider Identifies and discusses the thematic and structural aspects of the circular pattern underlying Milton's epic poem to elucidate its mystical meanings. |
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Side 15
... God's eter- nal glory . I shall return to this question in chapter 1. Here let it suffice to say that in Paradise Lost the mystical level of meaning is consonant with other readings of the poem and with Milton's poetry , generally ...
... God's eter- nal glory . I shall return to this question in chapter 1. Here let it suffice to say that in Paradise Lost the mystical level of meaning is consonant with other readings of the poem and with Milton's poetry , generally ...
Side 18
... God's universe . In Paradise Lost Milton created a vast hieroglyph of God's abundance and love and of man's response to them . Adopt- ing the traditional symbol of God as a point or circle , the center and circumference of all things ...
... God's universe . In Paradise Lost Milton created a vast hieroglyph of God's abundance and love and of man's response to them . Adopt- ing the traditional symbol of God as a point or circle , the center and circumference of all things ...
Side 19
... God's ways . How Milton set about implementing this aspect of his poem is my subject . Why he chose to do it may be ascer- tained if we look briefly at the well - known patristic tradition of biblical exegesis that gave rise to it ...
... God's ways . How Milton set about implementing this aspect of his poem is my subject . Why he chose to do it may be ascer- tained if we look briefly at the well - known patristic tradition of biblical exegesis that gave rise to it ...
Side 20
... God's glory . The distinction that must be made in this is between the allegory of the theologian and that of the poet . The former deals with historical fact that has mystical significance , while the latter deals with a fiction ...
... God's glory . The distinction that must be made in this is between the allegory of the theologian and that of the poet . The former deals with historical fact that has mystical significance , while the latter deals with a fiction ...
Side 21
... God's universal plan is operant , that this world is an umbra futurorum . In our language we might want to call it the theological sense , which assures us ... that God is indeed in His heaven . . . . Thus , although the four senses of ...
... God's universal plan is operant , that this world is an umbra futurorum . In our language we might want to call it the theological sense , which assures us ... that God is indeed in His heaven . . . . Thus , although the four senses of ...
Indhold
25 | |
His Circle Drawn Just | 68 |
The Interpenetration of Time and Space | 148 |
Conclusion | 182 |
Selected Bibliography | 185 |
Index | 191 |
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Almindelige termer og sætninger
Abdiel Adam and Eve Adam's Aeneid allegorical anagogical antimetabole beauty Beelzebub beginning Book VIII Book XII burning lake celestial central Christ Christopher Ricks circular Commedia concept consonant created creation creative Dante darkness dawn death defines demons discussion divine Earth emphasis eternal Eve's evil example Fall fallen angels final Galileo Galileo Galilei garden God's Heaven heavenly Hell heroic historical light lines loss Lycidas man's McColley meaning Michael Milton describes Milton's epic mystical mythic narrative nature Neoplatonic night numerological overall Paradise Lost parallels passage perfect poem poem's poet poetic poetry provides Raphael relation relationship Renaissance return to Eden rhetorical Satan Satan returns says scheme section of Book sense shape significance spatial speech Structure of Paradise Studies style suggest symbolic syntax temporal thee things thir thou tion tradition universe verbal verse paragraph verse sentence victory vision Whaler
Populære passager
Side 50 - Hail horrors, hail Infernal world, and thou profoundest Hell Receive thy new possessor; one who brings A mind not to be changed by place or time.
Side 42 - OF Man's First Disobedience, and the Fruit Of that Forbidden Tree, whose mortal taste Brought Death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful Seat, Sing Heav'nly Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That Shepherd, who first taught the chosen Seed, In the Beginning how the Heav'ns and Earth Rose out of Chaos...
Side 36 - And wisdom at one entrance quite shut out. So much the rather thou, celestial Light, Shine inward, and the mind through all her powers Irradiate ; there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.
Side 134 - From their Creator, and transgress his will For one restraint, lords of the world besides * Who first seduced them to that foul revolt...
Side 130 - Rocks, caves, lakes, fens, bogs, dens, and shades of death, A universe of death ; which God by curse Created evil, for evil only good ; Where all life dies, death lives, and nature breeds, Perverse...
Side 61 - Heaven is for thee too high To know what passes there: be lowly wise: Think only what concerns thee, and thy being: Dream not of other worlds, what creatures there live, in what state, condition or degree; Contented that thus far hath been reveal'd Not of earth only, but of highest heaven.
Side 37 - O goodness infinite, goodness immense ! That all this good of evil shall produce, And evil turn to good ; more wonderful Than that which by creation first brought forth Light out of darkness ! Full of doubt I stand, Whether I should repent me now of sin By me done, and occasion'd, or rejoice Much more, that much more good thereof shall spring ; To God more glory, more good-will to men From God, and over wrath grace shall abound.
Side 37 - Round through the vast profundity obscure ; And said, Thus far extend, thus far thy bounds, This be thy just circumference, O World...