An Abridgment of Lectures on RhetorickHill and Moore, 1822 - 304 sider |
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Side v
... Narration , and Explication , PAGE . & 13 22 30 38 46 52 57 64 68 74 81 87 92 98 99 103 106 108 109 110 117 Style , in No. 411 124 134 139 146 150 156 161 The Argumentative Part of a Discourse , the Pathetic Part , and the Peroration ...
... Narration , and Explication , PAGE . & 13 22 30 38 46 52 57 64 68 74 81 87 92 98 99 103 106 108 109 110 117 Style , in No. 411 124 134 139 146 150 156 161 The Argumentative Part of a Discourse , the Pathetic Part , and the Peroration ...
Side 112
... te concise ; when to inform the understanding , which is more deliberate in its motions , and wants the assistance of a guide , it is better to be " full . Historical narration may be beautiful ei- ther 112 Diffuse and Concise .
... te concise ; when to inform the understanding , which is more deliberate in its motions , and wants the assistance of a guide , it is better to be " full . Historical narration may be beautiful ei- ther 112 Diffuse and Concise .
Side 113
Hugh Blair. " full . Historical narration may be beautiful ei- ther in a concise or diffuse manner , according to the author's genius . Livy and Herodotus are diffuse ; Thucydides and Sallust are concise ; yet they are all agreeable ...
Hugh Blair. " full . Historical narration may be beautiful ei- ther in a concise or diffuse manner , according to the author's genius . Livy and Herodotus are diffuse ; Thucydides and Sallust are concise ; yet they are all agreeable ...
Side 154
... Narration of facts should always be as con- cise as the nature of them will admit . They are always very necessary to be remembered ; consequently , unnecessary minuteness in re- lating them overloads the memory . Whereas , if a pleader ...
... Narration of facts should always be as con- cise as the nature of them will admit . They are always very necessary to be remembered ; consequently , unnecessary minuteness in re- lating them overloads the memory . Whereas , if a pleader ...
Side 161
... NARRATION , AND EXPLICATION . pecu- HAVING already considered what is liar to each of the three great fields of public speaking , popular assemblies , the bar , and the pulpit , we shall now treat of what is common to them all , and ...
... NARRATION , AND EXPLICATION . pecu- HAVING already considered what is liar to each of the three great fields of public speaking , popular assemblies , the bar , and the pulpit , we shall now treat of what is common to them all , and ...
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action admit Æneid agreeable ancient appear arguments beauty blank verse characters Cicero circumstances comedy composition concise degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed English epic poem epic poetry excel excite exhibit expression fancy figure founded frequently genius give grace grandeur Greek guage hearers Hence Henriade Homer ideas Iliad imagination imitation instance invention ject kind language Livy Lusiad lyric poetry manner ment merit metaphor mind mode modern moral motion narration nature ness never objects observed orator ornament Paradise Lost passion pastoral pastoral poetry pathetic pause peculiar perspicuity Pharsalia philosophical pleasing pleasure poet poetical proper propriety public speaking render requisite resemblance rule scene sense sentence sentiments simplicity sion Sophocles sound speaker species speech spirit strength strong style sublime syllable Tacitus Taste theatre of France thing thought tion tragedy tropes unity variety verbs verse Virgil words writing