Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 12
... young man running away to sea with a head full of Conradian romance . The Charles Racine was a two hundred foot steel hull square - rigged barque -- an anachronism even in 1910 , but with a reputation for being representative of the ...
... young man running away to sea with a head full of Conradian romance . The Charles Racine was a two hundred foot steel hull square - rigged barque -- an anachronism even in 1910 , but with a reputation for being representative of the ...
Side 60
... young Engineering Officer , we vilified and scorned Korner even more than we ever had the Chief . But not only did we despise Korner with an unprecedented intensity , we also came to respect Chief Andersen with a respect much stronger ...
... young Engineering Officer , we vilified and scorned Korner even more than we ever had the Chief . But not only did we despise Korner with an unprecedented intensity , we also came to respect Chief Andersen with a respect much stronger ...
Side 127
... young Genet was eagerly assimilating the values of a simple , sober , peasant tradition . It was a tradition which measures belonging in terms of possessions . Genet was fitted into the stock of the family and the farm , the common and ...
... young Genet was eagerly assimilating the values of a simple , sober , peasant tradition . It was a tradition which measures belonging in terms of possessions . Genet was fitted into the stock of the family and the farm , the common and ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli