Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 70
... important piece of the play from the outside . I watched several rehearsals of this scene to get a feeling for and from O'Neill's use of expressionism as experienced by the audience . For this clearly 70 Scene "the acquired trait"
... important piece of the play from the outside . I watched several rehearsals of this scene to get a feeling for and from O'Neill's use of expressionism as experienced by the audience . For this clearly 70 Scene "the acquired trait"
Side 159
... watched -- almost a detached observer -- as the at her . fan seemed to shift by itself into my right hand where I deftly and emphatically flicked it full open . It unfurled in a flash of color and with a smooth rippling burr suggestive ...
... watched -- almost a detached observer -- as the at her . fan seemed to shift by itself into my right hand where I deftly and emphatically flicked it full open . It unfurled in a flash of color and with a smooth rippling burr suggestive ...
Side 160
... watched the fan fold in on itself , and when I drew it down to me it fumbled in my hands like a foreign object , and I was Claire . When it came time to be the actor , George merely carried the fan like a prop . But I knew it had become ...
... watched the fan fold in on itself , and when I drew it down to me it fumbled in my hands like a foreign object , and I was Claire . When it came time to be the actor , George merely carried the fan like a prop . But I knew it had become ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli