Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 75
... voice work , with a little training it can be done . I used Cicely Berry's book Voice And The Actor -- especially Chapter Seven , " Using The Voice , " with its detailed exercises and techniques for exploring the performance auditorium ...
... voice work , with a little training it can be done . I used Cicely Berry's book Voice And The Actor -- especially Chapter Seven , " Using The Voice , " with its detailed exercises and techniques for exploring the performance auditorium ...
Side 76
... voice is the flag of defiance Yank continually waves to encourage his fellow stokers and to scorn the engineer's relentless whistle . It is through his voice in the extreme conditions of the stokehole that Yank must show the ...
... voice is the flag of defiance Yank continually waves to encourage his fellow stokers and to scorn the engineer's relentless whistle . It is through his voice in the extreme conditions of the stokehole that Yank must show the ...
Side 77
... voice , though I know what it is . It is a voice that confronts the voice of machinery , understands that voice , accommodates that voice , and by assimilating the very tone and punctuation of machinery persists and at times prevails in ...
... voice , though I know what it is . It is a voice that confronts the voice of machinery , understands that voice , accommodates that voice , and by assimilating the very tone and punctuation of machinery persists and at times prevails in ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli