Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 53
... turned our backs to the glare and , gratefully gulping cool water rapidly turning tepid in the tropic air , squinted into the gloom of a night so thick we couldn't see the ocean wherein we flipped the parking butts of our cigarettes ...
... turned our backs to the glare and , gratefully gulping cool water rapidly turning tepid in the tropic air , squinted into the gloom of a night so thick we couldn't see the ocean wherein we flipped the parking butts of our cigarettes ...
Side 75
... nearly subliminal sound of the engines and the roar of the furnaces would provoke a series of actual shivers and a sudden involuntary -- but very real -- whole body sweat . As it turned out , my voice did not meet 75.
... nearly subliminal sound of the engines and the roar of the furnaces would provoke a series of actual shivers and a sudden involuntary -- but very real -- whole body sweat . As it turned out , my voice did not meet 75.
Side 80
... turned loose . His claws had all been pulled The bear didn't look dangerous . and his hide was urine - stained and hung on him like an old rug draped over a sawhorse . He sat slumped in clouds of flies near the front of his cage , which ...
... turned loose . His claws had all been pulled The bear didn't look dangerous . and his hide was urine - stained and hung on him like an old rug draped over a sawhorse . He sat slumped in clouds of flies near the front of his cage , which ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli