Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 3
... talking , his hands started to dig into the man's heart . Suddenly one got this terrific image of what love is -- the wanting to be one with somebody . It was a great moment of imaginative acting . He was feeling it all inside to the ...
... talking , his hands started to dig into the man's heart . Suddenly one got this terrific image of what love is -- the wanting to be one with somebody . It was a great moment of imaginative acting . He was feeling it all inside to the ...
Side 90
... talking in low voices , but every few seconds one or the other would interrupt himself with a high - pitched whistle or a little whoop -- saying , " Yeah , so I told ' er -- Weee - ooo .... Rrrr - Ray - mer ! Why don't we -- Whoop ...
... talking in low voices , but every few seconds one or the other would interrupt himself with a high - pitched whistle or a little whoop -- saying , " Yeah , so I told ' er -- Weee - ooo .... Rrrr - Ray - mer ! Why don't we -- Whoop ...
Side 96
... talking about , though it must have been a peculiar conversation . Perhaps in an effort to change the subject-- or to liven things up -- she would ask me , " Where's the moon ? " I swear I can remember her asking me that , just as I can ...
... talking about , though it must have been a peculiar conversation . Perhaps in an effort to change the subject-- or to liven things up -- she would ask me , " Where's the moon ? " I swear I can remember her asking me that , just as I can ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wisconsin Wolheim Yank and Claire Yank's York Zarrilli