Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 84
... symbolism and the question must be asked : What is played as symbol and what as character ? Is Yank ever one at the expense of the other ? This was the problem which led Kahan to do his 1947 production as a character study , thereby ...
... symbolism and the question must be asked : What is played as symbol and what as character ? Is Yank ever one at the expense of the other ? This was the problem which led Kahan to do his 1947 production as a character study , thereby ...
Side 85
... symbol . " 105 Though I , as Yank , was now descending through the frightful depths of my imagination , symbolism was not my concern . I would remain a " living character . " But in my imaginary world , experience had taken on the ...
... symbol . " 105 Though I , as Yank , was now descending through the frightful depths of my imagination , symbolism was not my concern . I would remain a " living character . " But in my imaginary world , experience had taken on the ...
Side 112
... symbol for yin and yang as " expressive of Genet's world He explains his use of this Taoist symbol as the leitmotif view . " 2 for his study of Genet as follows : Yang , When the polarities inherent in any Genet drama 112 CHAPTER 4 "A ...
... symbol for yin and yang as " expressive of Genet's world He explains his use of this Taoist symbol as the leitmotif view . " 2 for his study of Genet as follows : Yang , When the polarities inherent in any Genet drama 112 CHAPTER 4 "A ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli