Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 143
... styles selected for their specificity . One stage would be done in a modified Kabuki form with its distinctive physical , vocal , and theatrical elements ; another in a Baroque style made apparent by costumes , gestures , and demeanor ...
... styles selected for their specificity . One stage would be done in a modified Kabuki form with its distinctive physical , vocal , and theatrical elements ; another in a Baroque style made apparent by costumes , gestures , and demeanor ...
Side 145
... styles . This textual treatment would be extended into an even more problematical delivery based on keying a ... style of a particular stage . The result was a kind of theatrical jazz , with no two performances ever being exactly ...
... styles . This textual treatment would be extended into an even more problematical delivery based on keying a ... style of a particular stage . The result was a kind of theatrical jazz , with no two performances ever being exactly ...
Side 158
... styles would play across the set to each other , thus establishing relationships of style as well as character to character and actor to actor . The performers even moved from one stylistically defined stage to another , further turning ...
... styles would play across the set to each other , thus establishing relationships of style as well as character to character and actor to actor . The performers even moved from one stylistically defined stage to another , further turning ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli