Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 58
... stood amidships and leaned back rigidly against the safety rails of the electrical switchboards and stared directly ahead at the Propulsion Panel while I happily ushered our grinning visitors to the tool boxes and the battery storage ...
... stood amidships and leaned back rigidly against the safety rails of the electrical switchboards and stared directly ahead at the Propulsion Panel while I happily ushered our grinning visitors to the tool boxes and the battery storage ...
Side 90
... stood like stacked blocks of sun and shadow in the striped light . The boys at the bar were having a little fun . They were ostensibly talking in low voices , but every few seconds one or the other would interrupt himself with a high ...
... stood like stacked blocks of sun and shadow in the striped light . The boys at the bar were having a little fun . They were ostensibly talking in low voices , but every few seconds one or the other would interrupt himself with a high ...
Side 166
... stood entire of itself , a roaring red embodiment of Power . The experience of wearing it , fitted and laced above that tremendous spill of red energy , was a little like standing in the top of a volcano with the world trembling in ...
... stood entire of itself , a roaring red embodiment of Power . The experience of wearing it , fitted and laced above that tremendous spill of red energy , was a little like standing in the top of a volcano with the world trembling in ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wisconsin Wolheim Yank and Claire Yank's York Zarrilli