Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 42
... steel - barred construction , seemed to be holding back hellish forces . The overhead effect was done with the use of a gigantic steel grid which , when lit from above , cast encaging shadows which imprisoned all below it in a jolting ...
... steel - barred construction , seemed to be holding back hellish forces . The overhead effect was done with the use of a gigantic steel grid which , when lit from above , cast encaging shadows which imprisoned all below it in a jolting ...
Side 70
... steel of the ladder tread , the geometric clash of the pale , blurred curves of a dirty empty bottle amid a jumble of hard - edged planes of dusty black coal . It was the details of Both's set which , when struck by Yank's eyes ...
... steel of the ladder tread , the geometric clash of the pale , blurred curves of a dirty empty bottle amid a jumble of hard - edged planes of dusty black coal . It was the details of Both's set which , when struck by Yank's eyes ...
Side 73
... steel room padded with asbestos , breathtakingly hot and crowded with a labyrinthine intricacy of scorching steel surfaces -- pumps and ladders and auxiliary engines and beams and strongbacks and deckplates and bulkheads and the big ...
... steel room padded with asbestos , breathtakingly hot and crowded with a labyrinthine intricacy of scorching steel surfaces -- pumps and ladders and auxiliary engines and beams and strongbacks and deckplates and bulkheads and the big ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli