Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 18
... sometimes as full blooded characters , sometimes in incidents , sometimes as peculiar and distant lines of dialogue . One of these men , Gustav Gustafsson , according to O'Neill , " Was always saying when ashore , ' I know an old boiler ...
... sometimes as full blooded characters , sometimes in incidents , sometimes as peculiar and distant lines of dialogue . One of these men , Gustav Gustafsson , according to O'Neill , " Was always saying when ashore , ' I know an old boiler ...
Side 79
... sometimes I can only move it very slowly . Worse , sometimes when pushed to the limits of its range as it would be in the right elbow to left knee move required in an " exact attitude " of " The Thinker , " it actually locks momentarily ...
... sometimes I can only move it very slowly . Worse , sometimes when pushed to the limits of its range as it would be in the right elbow to left knee move required in an " exact attitude " of " The Thinker , " it actually locks momentarily ...
Side 158
... Sometimes they would happen automatically -- sometimes appropriately , and at other times inappropriately . Sometimes I would move smoothly from Madam to Claire to George , and sometimes I would drop straight out of character into ...
... Sometimes they would happen automatically -- sometimes appropriately , and at other times inappropriately . Sometimes I would move smoothly from Madam to Claire to George , and sometimes I would drop straight out of character into ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli