Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 17
... sailor and given our common nautical background perhaps we should consider staging Billy Budd . " Don't you think I'm a little , er ... old for that ? " I asked . Skloot smiled and replied , " I wasn't thinking of casting you in the ...
... sailor and given our common nautical background perhaps we should consider staging Billy Budd . " Don't you think I'm a little , er ... old for that ? " I asked . Skloot smiled and replied , " I wasn't thinking of casting you in the ...
Side 23
... sailor on shore are mad But they're part of the game and I loved it all . " 32 Gelb agrees , saying : There is no doubt he did love it and continued to love it all his life . He never shipped to sea again , but neither did he tire of ...
... sailor on shore are mad But they're part of the game and I loved it all . " 32 Gelb agrees , saying : There is no doubt he did love it and continued to love it all his life . He never shipped to sea again , but neither did he tire of ...
Side 26
... sailors , O'Neill resolved his loneliness in the company of men he could admire unreservedly , and by being able to count ... sailor at sea , that I find my first clues to working with Eugene O'Neill and with Yank . It is the irreducible ...
... sailors , O'Neill resolved his loneliness in the company of men he could admire unreservedly , and by being able to count ... sailor at sea , that I find my first clues to working with Eugene O'Neill and with Yank . It is the irreducible ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli