Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 1
... question you can ask in life ? " He answered , " Is the universe a friendly place or not ? " 2 That is the question which connects the extremely different and oddly similar roles of " Yank " in Eugene O'Neill's The Hairy Ape , and ...
... question you can ask in life ? " He answered , " Is the universe a friendly place or not ? " 2 That is the question which connects the extremely different and oddly similar roles of " Yank " in Eugene O'Neill's The Hairy Ape , and ...
Side 96
... question about the moon I could understand , and though I couldn't talk , Aunt Babe reports I would quickly and invariably extend my arm and point a finger at the moon whenever , from her question , it seemed she had lost it . That ...
... question about the moon I could understand , and though I couldn't talk , Aunt Babe reports I would quickly and invariably extend my arm and point a finger at the moon whenever , from her question , it seemed she had lost it . That ...
Side 147
... question that day -- for me at least -- and the one I most eagerly took with me from that original meeting , was posed by Jill Dolan of the Theatre Department faculty and the dramaturge for the production . Dolan had asked that we all ...
... question that day -- for me at least -- and the one I most eagerly took with me from that original meeting , was posed by Jill Dolan of the Theatre Department faculty and the dramaturge for the production . Dolan had asked that we all ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli