Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 36
... productions . A show given to spectacular expressionistic design opened at Schaubuhe in West Berlin in November , 1986 , followed very shortly by a Swedish production at the radical Folksteatern in Gavle . The German production , with ...
... productions . A show given to spectacular expressionistic design opened at Schaubuhe in West Berlin in November , 1986 , followed very shortly by a Swedish production at the radical Folksteatern in Gavle . The German production , with ...
Side 37
... production had Rolf Lassgard in the role of Yank , and while not as technically spectacular as the German show , it was said to make up for that with the " poetical magic " 74 of its performances . A 1987 production of The Hairy Ape at ...
... production had Rolf Lassgard in the role of Yank , and while not as technically spectacular as the German show , it was said to make up for that with the " poetical magic " 74 of its performances . A 1987 production of The Hairy Ape at ...
Side 202
... production crammed with ideas , not all of them good ones . But it's “ true ” to Genet in a way that a straightforward production never could be . Like Genet himself , director Phillip Zarrilli and dramaturge Jill Dolan may have ...
... production crammed with ideas , not all of them good ones . But it's “ true ” to Genet in a way that a straightforward production never could be . Like Genet himself , director Phillip Zarrilli and dramaturge Jill Dolan may have ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli