Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
Fra bogen
Resultater 1-3 af 91
Side 31
... play : People think I am giving an exact picture of the reality . They don't understand that the whole play is expressionistic . Yank is really yourself , and myself . He is every human being . But , apparently , very few people seem to ...
... play : People think I am giving an exact picture of the reality . They don't understand that the whole play is expressionistic . Yank is really yourself , and myself . He is every human being . But , apparently , very few people seem to ...
Side 195
... play- wright's career , beats out its social message rather didactically , yet the dramatic conflict and poetic imprint balance the polemics to bring an absorbing theater experi- ence . Immediately one is drawn into the dynamic ...
... play- wright's career , beats out its social message rather didactically , yet the dramatic conflict and poetic imprint balance the polemics to bring an absorbing theater experi- ence . Immediately one is drawn into the dynamic ...
Side 202
... play about oppression and the self - loathing that comes along with oppression . But that's putting it too simply , because it's also a play that inhabits Genet's inverted universe , where theatricality is everything , where hate means ...
... play about oppression and the self - loathing that comes along with oppression . But that's putting it too simply , because it's also a play that inhabits Genet's inverted universe , where theatricality is everything , where hate means ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli