Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 54
... passed through the wall of light and disappeared into the darkness at the far stern . For a moment none of us moved , disbelieving , I think , that anything sinister could possibly be happening ; that any of our ritual hatred could have ...
... passed through the wall of light and disappeared into the darkness at the far stern . For a moment none of us moved , disbelieving , I think , that anything sinister could possibly be happening ; that any of our ritual hatred could have ...
Side 60
... passed on his rounds . The gawkers had long since stopped coming down to B - 2 , and they were no longer welcome . Korner never came down , and that was all right , too . For while Chief Andersen refused to join us in our denunciations ...
... passed on his rounds . The gawkers had long since stopped coming down to B - 2 , and they were no longer welcome . Korner never came down , and that was all right , too . For while Chief Andersen refused to join us in our denunciations ...
Side 158
... stage as Claire . I had left my stubborn little fan behind on the Baroque stage , and as I passed a much larger and more ornate fan left by my Kabuki counterpart ( Rick At one Ney ) on the Kabuki stage , Zarrilli said quietly 158.
... stage as Claire . I had left my stubborn little fan behind on the Baroque stage , and as I passed a much larger and more ornate fan left by my Kabuki counterpart ( Rick At one Ney ) on the Kabuki stage , Zarrilli said quietly 158.
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wisconsin Wolheim Yank and Claire Yank's York Zarrilli