Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
Fra bogen
Resultater 1-3 af 18
Side 29
... once again in the firemen's fo'c'sle , but it is a pensive Yank this time who is trying to think his way through what has just happened . His shipmates , unused to seeing him in such a brooding , introspective mood , try to cajole him ...
... once again in the firemen's fo'c'sle , but it is a pensive Yank this time who is trying to think his way through what has just happened . His shipmates , unused to seeing him in such a brooding , introspective mood , try to cajole him ...
Side 32
... once taking on several opponents at a time.59 1160 In November of 1921 , before he had committed any of the play to paper , O'Neill had asked the actor and director Charles Kennedy , who was also a friend of Wolheim's and Barrymore's ...
... once taking on several opponents at a time.59 1160 In November of 1921 , before he had committed any of the play to paper , O'Neill had asked the actor and director Charles Kennedy , who was also a friend of Wolheim's and Barrymore's ...
Side 35
... Once he was a football player at Cornell , on whose gridiron he came honorably by the broken nose which is so useful a part of his present makeup ... He is doing himself proud in his first important role.71 To a certain ironic degree ...
... Once he was a football player at Cornell , on whose gridiron he came honorably by the broken nose which is so useful a part of his present makeup ... He is doing himself proud in his first important role.71 To a certain ironic degree ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli