Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 47
... night Mercer decided to kill Chief Andersen we were eight hundred miles from any land . We had all agreed the Chief deserved to die . It was a tropical night in 1966 aboard the U.S.S. Reclaimer . We were towing a floating dry dock from ...
... night Mercer decided to kill Chief Andersen we were eight hundred miles from any land . We had all agreed the Chief deserved to die . It was a tropical night in 1966 aboard the U.S.S. Reclaimer . We were towing a floating dry dock from ...
Side 66
... night shortly before I would take the stage I would stand between those weight bags , wrap a forearm through each rope handle , and , using every fiber of muscle I could will into power , attempt to lift them both free of the floor ...
... night shortly before I would take the stage I would stand between those weight bags , wrap a forearm through each rope handle , and , using every fiber of muscle I could will into power , attempt to lift them both free of the floor ...
Side 195
... night lent a proper chill to the angst , anguish and anger prevalent in the Univer- sity Theatre production of Eugene O'Neill's " The Hairy Ape , " which opened Friday night . This infrequently performed O'Neill , from early in the play ...
... night lent a proper chill to the angst , anguish and anger prevalent in the Univer- sity Theatre production of Eugene O'Neill's " The Hairy Ape , " which opened Friday night . This infrequently performed O'Neill , from early in the play ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli