Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 94
... moment in this scene wherein I knew I had made psychic and emotional connections which were deep and true , and , though the moment occurs late in the scene , once I had found it I knew its power would be the pull which drags a fearful ...
... moment in this scene wherein I knew I had made psychic and emotional connections which were deep and true , and , though the moment occurs late in the scene , once I had found it I knew its power would be the pull which drags a fearful ...
Side 116
... moment , or acting in the performer's moment . Successfully attaining the Genetian dichotomy as embodied in Claire means being the moment as it exists between player and audience . Thus the question must be asked : What exists between ...
... moment , or acting in the performer's moment . Successfully attaining the Genetian dichotomy as embodied in Claire means being the moment as it exists between player and audience . Thus the question must be asked : What exists between ...
Side 145
... moment . The constant concentration this required held each actor focused in the dramatic moment as the dialogue moved about in a whimsical " play " of its own . No one knew where the dialogue was going to move from moment to moment ...
... moment . The constant concentration this required held each actor focused in the dramatic moment as the dialogue moved about in a whimsical " play " of its own . No one knew where the dialogue was going to move from moment to moment ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli