Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 67
... gesture to take that rhythm into my body and use it as Yank drives himself through his megalomaniac speeches . I ... gesture . But it did not fully succeed , because even as it became more habitual , I became more unaware of it and thus ...
... gesture to take that rhythm into my body and use it as Yank drives himself through his megalomaniac speeches . I ... gesture . But it did not fully succeed , because even as it became more habitual , I became more unaware of it and thus ...
Side 99
... gesture is a dismaying problem for an actor . I tried to reach it from the details of a gesture I learned from the biggest man I've ever known . Bruce Foster is my great friend and captain of the fishing boat which took me to Alaska for ...
... gesture is a dismaying problem for an actor . I tried to reach it from the details of a gesture I learned from the biggest man I've ever known . Bruce Foster is my great friend and captain of the fishing boat which took me to Alaska for ...
Side 101
... gesture is the essence of the gesture I wanted for Yank as he reaches for the gorilla . Because for once , in a horribly ironic way , his behavior is appropriate , for without knowing it he is reaching out to make contact with himself ...
... gesture is the essence of the gesture I wanted for Yank as he reaches for the gorilla . Because for once , in a horribly ironic way , his behavior is appropriate , for without knowing it he is reaching out to make contact with himself ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli