Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 3
... feeling for each other . Chekhov was playing a man who has continually fought with his business partner , but who now sits down and tries to tell his partner the animosity had sprung from the business and that he ( Chekhov ) had always ...
... feeling for each other . Chekhov was playing a man who has continually fought with his business partner , but who now sits down and tries to tell his partner the animosity had sprung from the business and that he ( Chekhov ) had always ...
Side 72
... feeling soul . " 97 Scene Three bares that heart and soul in the atmosphere of the stokehole . For the actor playing Yank this is a crucial scene and one which must be dealt with long before the play begins , for , as Yank would have it ...
... feeling soul . " 97 Scene Three bares that heart and soul in the atmosphere of the stokehole . For the actor playing Yank this is a crucial scene and one which must be dealt with long before the play begins , for , as Yank would have it ...
Side 166
... feeling to not merely sailing in , but being a clipper ship . Its shiny satin surfaces were of a red so bright and in such profusion that it eclipsed garishness and other platitudes of taste and stood entire of itself , a roaring red ...
... feeling to not merely sailing in , but being a clipper ship . Its shiny satin surfaces were of a red so bright and in such profusion that it eclipsed garishness and other platitudes of taste and stood entire of itself , a roaring red ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli