Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 45
... course in dramatic criticism . But long before I took that course or began that paper I had decided that not only was The Hairy Ape my favorite O'Neill play , but it was one of my favorite plays , period . As soon as I had the role I ...
... course in dramatic criticism . But long before I took that course or began that paper I had decided that not only was The Hairy Ape my favorite O'Neill play , but it was one of my favorite plays , period . As soon as I had the role I ...
Side 57
... course we were delighted when two days later the ship got underway and headed for Market Time patrol -- the code name for surveillance duty up and down the Yellow Sea off the coast of Vietnam . For the most part , Market Time meant a ...
... course we were delighted when two days later the ship got underway and headed for Market Time patrol -- the code name for surveillance duty up and down the Yellow Sea off the coast of Vietnam . For the most part , Market Time meant a ...
Side 195
... course , the question is , what is his integrity ? The stoker was born to poverty and beatings at home . The woman grew up with luxuries bought with profits from her dad- dy's steel mill . Is everyone truly equal in America , O'Neill ...
... course , the question is , what is his integrity ? The stoker was born to poverty and beatings at home . The woman grew up with luxuries bought with profits from her dad- dy's steel mill . Is everyone truly equal in America , O'Neill ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli