Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 100
... continue to Then she behave the way you do , you'll never have any friends . " walked away and left him there to think on that . He told me , " I was shivering , either from the cold or what she had said -- I don't know . But all of a ...
... continue to Then she behave the way you do , you'll never have any friends . " walked away and left him there to think on that . He told me , " I was shivering , either from the cold or what she had said -- I don't know . But all of a ...
Side 139
... continue to be , received by the audience with what are known as " diverse reactions . " Some think the play " boring ; " others see it as a brilliant literary exercise ; while still others are all but exasperated by the almost ...
... continue to be , received by the audience with what are known as " diverse reactions . " Some think the play " boring ; " others see it as a brilliant literary exercise ; while still others are all but exasperated by the almost ...
Side 162
... depth of commitment I have to my ugliness : I love it . It is my Reality . For many years it has been my strength and safe passport through some seriously dangerous dark corners of the world , and I trust it will continue to stand 162.
... depth of commitment I have to my ugliness : I love it . It is my Reality . For many years it has been my strength and safe passport through some seriously dangerous dark corners of the world , and I trust it will continue to stand 162.
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wisconsin Wolheim Yank and Claire Yank's York Zarrilli