Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 2
... character , the actor employs certain and very specific details of the character's composition which , if rendered with fidelity in an external form , will initiate an appropriate and hopefully eloquent resonance in the souls of the ...
... character , the actor employs certain and very specific details of the character's composition which , if rendered with fidelity in an external form , will initiate an appropriate and hopefully eloquent resonance in the souls of the ...
Side 158
... character to character and actor to actor . The performers even moved from one stylistically defined stage to another , further turning and mixing the kaleidoscopic relationships and communications . point I had moved to the Kabuki ...
... character to character and actor to actor . The performers even moved from one stylistically defined stage to another , further turning and mixing the kaleidoscopic relationships and communications . point I had moved to the Kabuki ...
Side 161
... character to actor and character to character even after we left the store and Claire had dropped Solange off with her bags of groceries at Reeve's address . In fact , the intricate and caustic relationship of the sisters was something ...
... character to actor and character to character even after we left the store and Claire had dropped Solange off with her bags of groceries at Reeve's address . In fact , the intricate and caustic relationship of the sisters was something ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli