Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
Fra bogen
Resultater 1-3 af 9
Side 32
... appearance , Wolheim was a man of superior intelligence ... Though basically good - natured , he was touchy about his appearance and easily provoked , more than once taking on several opponents at a time.59 1160 In November of 1921 ...
... appearance , Wolheim was a man of superior intelligence ... Though basically good - natured , he was touchy about his appearance and easily provoked , more than once taking on several opponents at a time.59 1160 In November of 1921 ...
Side 138
... appeared at about the same time -- its first production opening at the Theatre de l ' Athene ( Theatre Louis Jouvet ) in Paris on April 19th , 1947. To say that it received mixed reviews is to understate the passionate reactions of some ...
... appeared at about the same time -- its first production opening at the Theatre de l ' Athene ( Theatre Louis Jouvet ) in Paris on April 19th , 1947. To say that it received mixed reviews is to understate the passionate reactions of some ...
Side 174
... appearance becomes the truth of another appearance . The most extraordinary example of the whirligigs of being and appearance , of the 1174 He claims : ... The imaginary and the real , is to be 174.
... appearance becomes the truth of another appearance . The most extraordinary example of the whirligigs of being and appearance , of the 1174 He claims : ... The imaginary and the real , is to be 174.
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli