Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 1
... answered , " Is the universe a friendly place or not ? " 2 That is the question which connects the extremely different and oddly similar roles of " Yank " in Eugene O'Neill's The Hairy Ape , and " Claire " in Jean Genet's The Maids . It ...
... answered , " Is the universe a friendly place or not ? " 2 That is the question which connects the extremely different and oddly similar roles of " Yank " in Eugene O'Neill's The Hairy Ape , and " Claire " in Jean Genet's The Maids . It ...
Side 116
... applications and implications of imaginative freedom are asked of the actor and why ? To answer these questions it is first necessary to decide what the play is and what it is not . The play is not a realistic enactment of an infamous 116.
... applications and implications of imaginative freedom are asked of the actor and why ? To answer these questions it is first necessary to decide what the play is and what it is not . The play is not a realistic enactment of an infamous 116.
Side 147
... answer . Furthermore , I didn't know if I would need to know the answer before I began work on whichever role I would be given , or if such a question would be answered for me from within the role . The more I thought about it , the ...
... answer . Furthermore , I didn't know if I would need to know the answer before I began work on whichever role I would be given , or if such a question would be answered for me from within the role . The more I thought about it , the ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli