Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 2
... action . In his book Method —— Or Madness , Robert Lewis gives an example of how detail in an element of such physical action -- the " psychological gesture " -- was used by Michael Chekhov himself in a production of The Deluge . It was ...
... action . In his book Method —— Or Madness , Robert Lewis gives an example of how detail in an element of such physical action -- the " psychological gesture " -- was used by Michael Chekhov himself in a production of The Deluge . It was ...
Side 135
... action within it , becomes a repeatable ceremony complete with the trappings of the ceremonial event -- spectacle , special vestments , character transformation , and suggested elements of body / mind possession , heightened language ...
... action within it , becomes a repeatable ceremony complete with the trappings of the ceremonial event -- spectacle , special vestments , character transformation , and suggested elements of body / mind possession , heightened language ...
Side 195
... action . Scene changes to the ship's promenade or New York's Fifth Avenue are separated by only a white screen . Costumer Kathy Rathke furthers the visual dis- parity with white costumes and comedia - type masks for the upper crust ...
... action . Scene changes to the ship's promenade or New York's Fifth Avenue are separated by only a white screen . Costumer Kathy Rathke furthers the visual dis- parity with white costumes and comedia - type masks for the upper crust ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli