Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 37
... Theatre in Chicago with Tom Geraty as Yank made effective use of masks , cross - casting , and even a grotesque puppet costume for Mildred's William Payne directed the show , and Theatre Review said of the production : Aunt . Payne's ...
... Theatre in Chicago with Tom Geraty as Yank made effective use of masks , cross - casting , and even a grotesque puppet costume for Mildred's William Payne directed the show , and Theatre Review said of the production : Aunt . Payne's ...
Side 113
... theatre as an example of the perfect mise - en - scene , for it incorporates lighting , gesture , costume , mime , and language into a unified whole ... Artaud finds that integrated theatre in Bali , where the theatre draws " upon dance ...
... theatre as an example of the perfect mise - en - scene , for it incorporates lighting , gesture , costume , mime , and language into a unified whole ... Artaud finds that integrated theatre in Bali , where the theatre draws " upon dance ...
Side 141
... theatre done with an entirely Negro cast ; and the October , 1964 production at the La Mama Experimental Theatre in New York which first used Genet's recommendation of an all male cast . Since then the play has remained one of the most ...
... theatre done with an entirely Negro cast ; and the October , 1964 production at the La Mama Experimental Theatre in New York which first used Genet's recommendation of an all male cast . Since then the play has remained one of the most ...
Almindelige termer og sætninger
action actor actually appearance artistic asked attempt audience became becomes belong called cast character Chief claims Claire complete continue costumes course dance developed direction dress engine room Eugene experience expressionistic face feeling felt four Genet George gesture going Hairy Ape hand head human Ibid idea illusion imagination important Jean knew later light lines live look Madame Maids mean mind moment move nature needed never night O'Neill O'Neill's original performance physical play Power Power and Powerlessness Powerlessness problem production question reality rehearsal relationship rest role sailor Sartre Scene seemed sense ship Solange sometimes stage steel story style suggested Theatre thing thought took touch true trying turned University voice wanted watch Yank Yank's York Zarrilli