Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - 406 sider |
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Side 161
... Solange talked and bickered , laughed at their private innuendos , quarreled over bargains , and effectively comparison - shopped through every aisle of the store . refreshing experience for Claire and Solange away from the theatre ...
... Solange talked and bickered , laughed at their private innuendos , quarreled over bargains , and effectively comparison - shopped through every aisle of the store . refreshing experience for Claire and Solange away from the theatre ...
Side 176
... Solange onto the bed ( the only moment in the production when Claire actually used George's strength ) to lift Solange much higher than usual and instead of merely placing a reluctant Solange on the bed , dropped her from a safe , but ...
... Solange onto the bed ( the only moment in the production when Claire actually used George's strength ) to lift Solange much higher than usual and instead of merely placing a reluctant Solange on the bed , dropped her from a safe , but ...
Side 202
... Solange , who work as maids for Madame . They hate her , and they alternately hate and love each other . When Madame leaves the house , Claire and Solange take turns im- personating her ( and each other ) in a bizarre theatrical ritual ...
... Solange , who work as maids for Madame . They hate her , and they alternately hate and love each other . When Madame leaves the house , Claire and Solange take turns im- personating her ( and each other ) in a bizarre theatrical ritual ...
Almindelige termer og sætninger
aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage called cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wolheim Yank and Claire Yank's York Zarrilli