Horace: Odes and EpodesB. H. Sanborn & Company, 1898 - 487 sider |
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Side v
... thought , sentiment , and poetic imagery . In order to find space for the parallel passages quoted it has been neces- sary to abbreviate somewhat the expression of the tradi- tional exegesis and to state by implication some of the more ...
... thought , sentiment , and poetic imagery . In order to find space for the parallel passages quoted it has been neces- sary to abbreviate somewhat the expression of the tradi- tional exegesis and to state by implication some of the more ...
Side vi
... thought to recommend ' parallel passages ' as a short cut to ' culture . ' But Horace especially invites this treatment , and in no other way can the right atmosphere for the enjoyment of the Odes be so easily created . No judicious ...
... thought to recommend ' parallel passages ' as a short cut to ' culture . ' But Horace especially invites this treatment , and in no other way can the right atmosphere for the enjoyment of the Odes be so easily created . No judicious ...
Side xvii
... thought or intense emotion to convey . His imagery lacks the imaginative splendor and audacity of the great Greek and English lyrists ; and yet , while literary fashions come and go , his indefectible charm abides . Literary critics ...
... thought or intense emotion to convey . His imagery lacks the imaginative splendor and audacity of the great Greek and English lyrists ; and yet , while literary fashions come and go , his indefectible charm abides . Literary critics ...
Side xxi
... thought felicities are : moves funera 1. 15. 10 ; laborantes in uno 1. 17. 19 ; remotus in auras 1 . 28. 8 ; 2. 3. 15–16 ; omnis copia narium 2. 15. 6 ; fregisse cervicem 2. 13. 6 ; ter amplum 2. 14. 7 ; maturior vis 2. 17. 6 , cf ...
... thought felicities are : moves funera 1. 15. 10 ; laborantes in uno 1. 17. 19 ; remotus in auras 1 . 28. 8 ; 2. 3. 15–16 ; omnis copia narium 2. 15. 6 ; fregisse cervicem 2. 13. 6 ; ter amplum 2. 14. 7 ; maturior vis 2. 17. 6 , cf ...
Side xxviii
... thought and figures of diction to diversify , enliven , and elaborate his expression . The monotony of direct cate- gorical statement is everywhere broken up by rhetorical ques- tions , 1 imperatives , 2 apostrophe , 3 personification ...
... thought and figures of diction to diversify , enliven , and elaborate his expression . The monotony of direct cate- gorical statement is everywhere broken up by rhetorical ques- tions , 1 imperatives , 2 apostrophe , 3 personification ...
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Aesch Aeschyl aetas Alcaeus amor Anth Apoll Apollo Arnold atque Augustus Bacchylides Caesar Callim Catull cura death domos Epist epithet Epode Epode 16 Epode 9 Eurip Fortuna Gelonos genus Greek haec heaven Herrick Hesiod Homer Horace Horace's ibid imitation inter Iovis Iuppiter Johnson's Poets king Latin Livy Lucan Lucret Lucretius lyrae Macaulay Maecenas mare Martial mihi Milt Milton neque nunc Odyss omne Ovid pater pede perhaps periphrasis Pind Pindar Plato Plut poem poetic poetry Propert proverbial puer Pyth quae quam quid quis quod Roman Rome Ronsard Sappho Sellar semel semper Shaks Shelley Silv sine sing sive song Soph strophe Suet Tenn terra Teucer thee Theoc Theog thou thought Thyest tibi Tibull Tibur Trist Venus Verg Vergil wine zeugma
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Side 207 - Pelops' line, Or the tale of Troy divine, Or what (though rare) of later age, Ennobled hath the buskined stage. But O, sad Virgin, that thy power Might raise Musaeus from his bower, Or bid the soul of Orpheus sing Such notes as warbled to the string, Drew iron tears down Pluto's cheek, And made Hell grant what Love did seek.
Side 243 - He that ruleth his spirit, is better than he that taketh a city,
Side 386 - Who God doth late and early pray More of his grace than gifts to lend; And entertains the harmless day With a religious book or friend. This man is freed from servile bands Of hope to rise or fear to fall : Lord of himself, though not of lands, And, having nothing, yet hath all.
Side 467 - And the Lord said unto Cain, Where is Abel thy brother? And he said, I know not: am I my brother's keeper? And he said, What hast thou done? the voice of thy brother's blood crieth unto me from the ground.
Side 314 - They say the Lion and the Lizard keep The Courts where Jamshyd gloried and drank deep: And Bahram, that great Hunter — the Wild Ass Stamps o'er his Head, but cannot break his Sleep.
Side 206 - As the waters fail from the sea, And the flood decayeth and drieth up : So man lieth down, and riseth not. Till the heavens be no more, they shall not awake, Nor be raised out of their sleep.
Side 204 - Mort a des rigueurs à nulle autre pareilles : On a beau la prier, La cruelle qu'elle est se bouche les oreilles Et nous laisse crier. Le pauvre en sa cabane, où le chaume le couvre, Est sujet à ses lois; Et la garde qui veille aux barrières du Louvre N'en défend point nos rois. De murmurer contre elle et perdre patience, II est mal à propos; Vouloir ce que Dieu veut est la seule science Qui nous met en repos.
Side 204 - When the hounds of spring are on winter's traces, The mother of months in meadow or plain Fills the shadows and windy places With lisp of leaves and ripple of rain ; And the brown bright nightingale amorous Is half assuaged for Itylus, For the Thracian ships and the foreign faces, The tongueless vigil, and all the pain.
Side 102 - Nullis polluitur casta domus stupris, Mos et lex maculosum edomuit nefas, Laudantur simili prole puerperae, Culpam poena premit comes.
Side 453 - HAPPY the man, whose wish and care A few paternal acres bound, Content to breathe his native air In his own ground. Whose herds with milk, whose fields, with bread, "Whose flocks supply him with attire, Whose trees in summer yield him shade, In winter fire.