The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 63
... theme are developed in tandem , the result being a unique structure . Each poem in free verse has its own shape . Nonmetric fixed forms ( forms not organized on accent or measure ) are not unknown in our own time , as evidenced by the ...
... theme are developed in tandem , the result being a unique structure . Each poem in free verse has its own shape . Nonmetric fixed forms ( forms not organized on accent or measure ) are not unknown in our own time , as evidenced by the ...
Side 86
... theme , organizing and clari- fying a multiplicity of feelings and attitudes into a unified comprehension . The approach to the theme tends to be some- what philosophical . The sonnet is primarily lyric in nature ; the form may ...
... theme , organizing and clari- fying a multiplicity of feelings and attitudes into a unified comprehension . The approach to the theme tends to be some- what philosophical . The sonnet is primarily lyric in nature ; the form may ...
Side 107
... theme with every repetition . For those trying the form for the first time , this is the area of greatest difficulty . Too often , not enough thought is given to the movement of the theme as the lines are placed automatically where the ...
... theme with every repetition . For those trying the form for the first time , this is the area of greatest difficulty . Too often , not enough thought is given to the movement of the theme as the lines are placed automatically where the ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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accept achieve anapest audience ballad CALIFORNIA/SANTA CRUZ century concrete poetry consonants contemporary couplet CRUZ The University device diction dramatic dreams Dylan Thomas editor effect elements emotional end words English example experience expression feel feet figures of speech free verse full rhyme haiku Hellric Publications iamb iambic images language letters look Lord Randal lyric magazine Marianne Moore material meaning metaphor meter metrical mind mood nature occurs pauses phrases poem poem's poet poet's poetic projective verse prose published quatrain reader Reprinted by permission Review rhyme scheme rhyme sounds rhythm rhythmic SANTA CRUZ sense sestet sestina shape songs spondee sprung rhythm stanza stressed structure style subconscious syllables symbols technique tercet term theme there's things thou tion tone traditional trochee turn University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA unstressed variations verse paragraph villanelle vowels W. H. Auden workshop writing York