The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 168
... sense behind the words , we discover that sound and rhythm are reinforcing the touches of regret and self - pity that the line suggests . The sibilants indi- cate the direction of the sense ; they are a foreshadowing . At the same time ...
... sense behind the words , we discover that sound and rhythm are reinforcing the touches of regret and self - pity that the line suggests . The sibilants indi- cate the direction of the sense ; they are a foreshadowing . At the same time ...
Side 215
... sense may cry out for it . If rhyme is an element of your poem , remember that you have a long poetic heritage with which to compete . Rhyme couplings that were fresh and interesting a century or two ago are worn and dull today . We ...
... sense may cry out for it . If rhyme is an element of your poem , remember that you have a long poetic heritage with which to compete . Rhyme couplings that were fresh and interesting a century or two ago are worn and dull today . We ...
Side 218
... sense without slowing down the progress of the poem . We aren't saying that one should never use adjectives or adverbs , just that modifiers should be truly functional . How many times have you seen the phrase the bright sun ? This ...
... sense without slowing down the progress of the poem . We aren't saying that one should never use adjectives or adverbs , just that modifiers should be truly functional . How many times have you seen the phrase the bright sun ? This ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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accept achieve anapest audience ballad CALIFORNIA/SANTA CRUZ century concrete poetry consonants contemporary couplet CRUZ The University device diction dramatic dreams Dylan Thomas editor effect elements emotional end words English example experience expression feel feet figures of speech free verse full rhyme haiku Hellric Publications iamb iambic images language letters look Lord Randal lyric magazine Marianne Moore material meaning metaphor meter metrical mind mood nature occurs pauses phrases poem poem's poet poet's poetic projective verse prose published quatrain reader Reprinted by permission Review rhyme scheme rhyme sounds rhythm rhythmic SANTA CRUZ sense sestet sestina shape songs spondee sprung rhythm stanza stressed structure style subconscious syllables symbols technique tercet term theme there's things thou tion tone traditional trochee turn University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA unstressed variations verse paragraph villanelle vowels W. H. Auden workshop writing York