The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 57
... Material produced by the subcon- scious contains amazing qualities and strengths ; it can be rich in imagery ... material just surfacing is still raw material . Parts of the material are bound to be less striking , less pertinent than ...
... Material produced by the subcon- scious contains amazing qualities and strengths ; it can be rich in imagery ... material just surfacing is still raw material . Parts of the material are bound to be less striking , less pertinent than ...
Side 209
... material of a poem is , as we have noted , initially raw , and we've learned that raw material is seldom poetry without the application of craft . Early attractions or shocks engendered by raw material presented as a completed poem soon ...
... material of a poem is , as we have noted , initially raw , and we've learned that raw material is seldom poetry without the application of craft . Early attractions or shocks engendered by raw material presented as a completed poem soon ...
Side 210
... material . But the poet who gains and maintains control over the material , who is familiar with the requirements and ways of the craft , will produce a greater number of valid poems than will the undisciplined or " primitive " writer ...
... material . But the poet who gains and maintains control over the material , who is familiar with the requirements and ways of the craft , will produce a greater number of valid poems than will the undisciplined or " primitive " writer ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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accept achieve anapest audience ballad CALIFORNIA/SANTA CRUZ century concrete poetry consonants contemporary couplet CRUZ The University device diction dramatic dreams Dylan Thomas editor effect elements emotional end words English example experience expression feel feet figures of speech free verse full rhyme haiku Hellric Publications iamb iambic images language letters look Lord Randal lyric magazine Marianne Moore material meaning metaphor meter metrical mind mood nature occurs pauses phrases poem poem's poet poet's poetic projective verse prose published quatrain reader Reprinted by permission Review rhyme scheme rhyme sounds rhythm rhythmic SANTA CRUZ sense sestet sestina shape songs spondee sprung rhythm stanza stressed structure style subconscious syllables symbols technique tercet term theme there's things thou tion tone traditional trochee turn University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA unstressed variations verse paragraph villanelle vowels W. H. Auden workshop writing York