The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 244
... Keep inked corrections to a minimum . Better yet , retype the poem ; if it's a short one , it doesn't take long to make a fresh copy . Roughly center each poem on its page . In the upper left corner of the page , put your name and ...
... Keep inked corrections to a minimum . Better yet , retype the poem ; if it's a short one , it doesn't take long to make a fresh copy . Roughly center each poem on its page . In the upper left corner of the page , put your name and ...
Side 247
... Keep a record of what you send where and the date . Anything that helps you to keep track will do . Most writers prefer to create a 3- by 5 - inch card file alphabetized by poem title . On each card is the title of the poem , the ...
... Keep a record of what you send where and the date . Anything that helps you to keep track will do . Most writers prefer to create a 3- by 5 - inch card file alphabetized by poem title . On each card is the title of the poem , the ...
Side 248
Ottone Riccio. tion , and keep it moving . You're going to get rejections - lots of them . Rejections will always outnumber acceptances . Don't let the return of your poems dishearten you . Keep them moving on to other editors . When ...
Ottone Riccio. tion , and keep it moving . You're going to get rejections - lots of them . Rejections will always outnumber acceptances . Don't let the return of your poems dishearten you . Keep them moving on to other editors . When ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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accept achieve anapest audience ballad CALIFORNIA/SANTA CRUZ century concrete poetry consonants contemporary couplet CRUZ The University device diction dramatic dreams Dylan Thomas editor effect elements emotional end words English example experience expression feel feet figures of speech free verse full rhyme haiku Hellric Publications iamb iambic images language letters look Lord Randal lyric magazine Marianne Moore material meaning metaphor meter metrical mind mood nature occurs pauses phrases poem poem's poet poet's poetic projective verse prose published quatrain reader Reprinted by permission Review rhyme scheme rhyme sounds rhythm rhythmic SANTA CRUZ sense sestet sestina shape songs spondee sprung rhythm stanza stressed structure style subconscious syllables symbols technique tercet term theme there's things thou tion tone traditional trochee turn University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA unstressed variations verse paragraph villanelle vowels W. H. Auden workshop writing York