Occidental Ideographs: Image, Sequence, and Literary HistoryBucknell University Press, 1991 - 288 sider This work proposes a new approach to literary history that locates the historicity of a literary work of art in the visual image that initiates the work and is fundamental to it, a visual metaphor of which the text is the verbalization. |
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Absalom American literary art Antonopoulos appears archetropic event archetropic image artistic text assertion becomes Biff called Carson McCullers central chapter character Charles Bon close consciousness Cooper Deerslayer difference Dimmesdale episode essential eyes fact Faulkner figured finally finds forest fugue garden Gardencourt Gatsby Goodwood graphe Hawthorne Hawthorne's Henry Hester Prynne Huck Huck's Huckleberry Finn human ideograph interior interpretation Isabel Jake James James's Judith Kōetsu Lake Otsego Lonely Hunter magic door Mark Twain McCullers McCullers's metaphoric pattern Mick Miss Rosa Moby-Dick Natty Natty Bumppo Natty's novel opening Osmond outgoing paragraph passage path Pearl perception phrase poem Portrait precisely Quentin R. W. B. Lewis reader realm Rosa's scarlet letter seems sense sequence Shreve Singer Singer's room sivilization Sōtatsu space-time spatial pattern suggests Sutpen's Hundred Thomas Sutpen tion Tom Sawyer Tom's Touchett Twain verbal vision visual Walter Scott Wash Jones window word wrote