Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
Fra bogen
Resultater 1-3 af 28
Side 3
... written quickly , within limits often of half an hour , it can happen that the first swift incisive impression , created out of skilled observation , is more valuable than the description , written later from fading memory . An accurate ...
... written quickly , within limits often of half an hour , it can happen that the first swift incisive impression , created out of skilled observation , is more valuable than the description , written later from fading memory . An accurate ...
Side 116
... written by Shake- speare . Hamlet , Troilus and Cressida , and the second part of Henry IV may be said to belong to a transition period in Shakespeare's writing . In these three plays the loose form of dramatic construc- tion common to ...
... written by Shake- speare . Hamlet , Troilus and Cressida , and the second part of Henry IV may be said to belong to a transition period in Shakespeare's writing . In these three plays the loose form of dramatic construc- tion common to ...
Side 132
... written before it far behind . But it also gets bogged down again and again in a maze of quibbles , rhyme for rhyme's sake , obscure contemporary references and in - jokes about people long since dead and fogotten . This variety of ...
... written before it far behind . But it also gets bogged down again and again in a maze of quibbles , rhyme for rhyme's sake , obscure contemporary references and in - jokes about people long since dead and fogotten . This variety of ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words