Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 3
... turn out to be a Duse or a Bernhardt , and future scholars will search through back numbers of daily newspapers to find a clue for the beginnings of a talent that later enlarged itself into genius . And furthermore , today's apparent ...
... turn out to be a Duse or a Bernhardt , and future scholars will search through back numbers of daily newspapers to find a clue for the beginnings of a talent that later enlarged itself into genius . And furthermore , today's apparent ...
Side 77
... turn the edge of any modern chisel : so perhaps the genius of no living actor can be expected to cope with Lear . Mr. Kean chipped off a bit of the character here and there : but he did not pierce the solid substance , nor move the ...
... turn the edge of any modern chisel : so perhaps the genius of no living actor can be expected to cope with Lear . Mr. Kean chipped off a bit of the character here and there : but he did not pierce the solid substance , nor move the ...
Side 139
... turn out to be held together by an unbroken thread of conviction that the years have not frayed . My own experience , as I went through my files , was very different . I found a great many incon- sistencies , and was not in the least ...
... turn out to be held together by an unbroken thread of conviction that the years have not frayed . My own experience , as I went through my files , was very different . I found a great many incon- sistencies , and was not in the least ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words