Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 61
... tones in his voice , could not give the requisite grave energy to sentiment ; he was therefore obliged , in some situations of character , to raise his powers of speech above their ordinary tone . Garrick , by an expressive countenance ...
... tones in his voice , could not give the requisite grave energy to sentiment ; he was therefore obliged , in some situations of character , to raise his powers of speech above their ordinary tone . Garrick , by an expressive countenance ...
Side 74
... tones express vehement emotions and when vehement tones express moderate emotions , when , in short , Mr. Pope is not Rolla or Romeo but Mr. Pope . The character of Hotspur has been reckoned a proper one for Mr. Pope , because it is ...
... tones express vehement emotions and when vehement tones express moderate emotions , when , in short , Mr. Pope is not Rolla or Romeo but Mr. Pope . The character of Hotspur has been reckoned a proper one for Mr. Pope , because it is ...
Side 138
... tone from a background of such rootless disunity ; and if manage to be both elegant and eloquent for more than a sentence at a time , I count myself extremely lucky . Only when I have finished a piece do I sit back and , rereading it ...
... tone from a background of such rootless disunity ; and if manage to be both elegant and eloquent for more than a sentence at a time , I count myself extremely lucky . Only when I have finished a piece do I sit back and , rereading it ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words