Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 94
... tion the artist can now bring to his undertaking ; experience will teach him to economise his forces , to reduce the inequalities of his portraiture , and to rid himself of the minor defects of redundant action and excessive play of ...
... tion the artist can now bring to his undertaking ; experience will teach him to economise his forces , to reduce the inequalities of his portraiture , and to rid himself of the minor defects of redundant action and excessive play of ...
Side 104
... tion can be discerned , but the true image of 20th - century Shake- speare on the stage is multi - faced . There are many reasons for this ; the growth of techniques of stageing and lighting , the development of different kinds of ...
... tion can be discerned , but the true image of 20th - century Shake- speare on the stage is multi - faced . There are many reasons for this ; the growth of techniques of stageing and lighting , the development of different kinds of ...
Side 132
... tion of The Merchant of Venice . John Barton on The Owl and the Cuckoo , from The Royal Shakespeare Theatre Company's programme for ' Love's Labour's Lost ' 1965 Love's Labour's Lost is one of Shakespeare's most perplexing texts . It is ...
... tion of The Merchant of Venice . John Barton on The Owl and the Cuckoo , from The Royal Shakespeare Theatre Company's programme for ' Love's Labour's Lost ' 1965 Love's Labour's Lost is one of Shakespeare's most perplexing texts . It is ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words